{"id":2009148,"date":"2021-04-19T10:21:24","date_gmt":"2021-04-19T10:21:24","guid":{"rendered":"https:\/\/orgel.alt-pankow.de\/?p=2009148"},"modified":"2021-05-03T08:20:20","modified_gmt":"2021-05-03T08:20:20","slug":"april-2021-die-intonation","status":"publish","type":"post","link":"https:\/\/orgel.alt-pankow.de\/?p=2009148","title":{"rendered":"April 2021 \u2013<br> die Intonation"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Die ersten T\u00f6ne sind zu h\u00f6ren. <\/strong>Die Principal-Pfeifen im Prospekt sind die ersten Pfeifen, die der Intonateur Markus Zoitl bearbeitet hat. Hier eine erste H\u00f6rprobe aufgenommen aus dem Inneren der Orgel:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-handler-einbetten wp-block-embed-handler-einbetten wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Erste T\u00f6ne vom Inneren der neuen Orgel in Alt-Pankow gesehen. 16. April 2021\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/X5IRcyF9n2w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00dcber das Zusammenspiel von Klangcharakter, Lautst\u00e4rke und Stimmung als die bestimmenden Elemente der Intonation erz\u00e4hlt der <strong>Intonateur Markus Zoitl<\/strong> im Interview mit Ulrike Quei\u00dfner:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-handler-einbetten wp-block-embed-handler-einbetten wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Interview mit Markus Zoitl, Intonateur der neuen Orgel in Alt-Pankow.\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/NdLgrFCPiyk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Viola da Gamba<\/strong>: die Weite und Enge von Mensuren, welchen Einfluss es auf Obert\u00f6ne und Grundt\u00f6ne hat, erkl\u00e4rt Markus Zoitl am Register Viola da Gamba und spielt den Vergleich zum Principal.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-handler-einbetten wp-block-embed-handler-einbetten wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Markus Zoitl, Intonateur: Enge und Weite von Mensuren und deren Auswirkung auf den Klang\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/veqJT6ZvTkU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Der Violonbass<\/strong>, wie seine Stimmung, seine Klangfarbe eingestellt wird. \u00dcber das richtige Verh\u00e4ltnis von Kernspaltenweite, Fu\u00dfloch\u00f6ffnung und Aufschnitth\u00f6he, all das erkl\u00e4rt Markus Zoitl in den folgenden Videos:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Markus Zoitl erz\u00e4hlt \u00fcber das Intonieren des Violonbass.\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/B2Q_T957nDY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-handler-einbetten wp-block-embed-handler-einbetten wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Markus Zoitl erkl\u00e4rt am Violonbass, welche Bauteile die Stimmung und den Klang beeinflussen.\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/25oPjkEz9AY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Wie stimmt man ein Violonbass auf seine richtige H\u00f6he? Der Einbau des Stimmungsblechs:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-handler-einbetten wp-block-embed-handler-einbetten wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Markus Zoitl zeigt ein Mittel zur Stimmung der Violonbasspfeife\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/We9QYe-aAqg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Die ersten T\u00f6ne sind zu h\u00f6ren. Die Principal-Pfeifen im Prospekt sind die ersten Pfeifen, die der Intonateur Markus Zoitl bearbeitet hat. Hier eine&hellip;<\/p>\n","protected":false},"author":2,"featured_media":2009134,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[360],"tags":[],"class_list":["post-2009148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-der-orgelbau"],"_links":{"self":[{"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=\/wp\/v2\/posts\/2009148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2009148"}],"version-history":[{"count":6,"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=\/wp\/v2\/posts\/2009148\/revisions"}],"predecessor-version":[{"id":2009184,"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=\/wp\/v2\/posts\/2009148\/revisions\/2009184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=\/wp\/v2\/media\/2009134"}],"wp:attachment":[{"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2009148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2009148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orgel.alt-pankow.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2009148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}